Time – NaKniSweMo Day 5

Day 5 and I am over 20k stitches into this sweater.  I cannot get enough of it right now.  The colors are surprising me.  Initially, I was going to make the sweater more gray and red, with a pop of the baby blue, but when I realized that the red looked more pink next to the blue, the only thing I could think to do was bring the purple into it.  I’m considering adding a pop of lime green towards the bottom.

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In our improv class today, we discussed and played with the concept of time.  This is something we explored last week as well.  We were asked to bring in something that represented “time” for us, and for some reason, I was drawing a complete blank.  I ended up bringing a metronome, because working with a metronome, having the staccato indicate your movements and making you stop in strange places, has been inspiring for me.  It’s a challenge to do, but I think it helps broaden the movement quality and change the focus.

What didn’t occur to me was to include a swatch.  Now that I’m at the body of the sweater, and it’s round and round of plain stitches, I’m sucked into that black hole.  I just keep knitting, and it’s not getting longer.  I’m pouring so much time into it, and not seeing a result.   And the beauty of this, and why I think it is relevant to the aerial training, is that I keep going.  I do the same maneuvers over and over again and give all of my free time to it, stitch after stitch, plie after plie, climb after climb, and oftentimes it’s really hard to see any progress.  Sometimes, I even feel like I’m moving backwards.  And then, something changes, and suddenly I have a sweater, I have good form, I have a decent turnout and I’ve added repetitions to my pull-ups and leg lifts.  Somewhere in the sea of 50,000 knit stitches, I have created a sweater, and it took stacking the same movement on top of each other to get there, and that takes time – a fraction of a second to create that little movement all combined into a month of work, and I have created something beautiful.

This morning, I went into the studio with the intention of blasting my music and knocking out some trapeze conditioning.  I worked on my long beats, I worked on my drops, I worked on tricks and transitions that I felt I was fumbling through.  I pushed myself until my forearms were sore from gripping.  I didn’t try to create new and elaborate work, which is what I did Monday morning and the lack of inspiration and the resulting clunkiness were frustrating.  But, working on the repetition of what I know, and layering it all together, helped me feel more confident in what I do know.  Each time I touch a trapeze, even if I feel like an idiot just hanging in the air, I know that I’m stacking stitches and making a sweater.

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